Feminism is one of the most important perspectives from which visual culture has been theorized and historicized over the past thirty years. The Feminism and Visual Culture Reader brings together a wide array of writings addressing art, film, architecture, popular culture, new media, and other visual fields from a feminist perspective, combining classic texts by leading feminist thinkers with polemical new pieces. Challenging the notion of feminism as a unified discourse, the reader explores how issues of race, class, nationality, and sexuality enter into debates about feminism in the field of the visual and includes work by feminist critics, artists, and activists. The reader ncludes six previously unpublished texts written specifically for this volume.
Amelia Jones' introduction to the reader races historical and theoretical developments in feminism and visual culture. Articles are grouped into thematic sections, addressing Representation; Difference; Disciplines/Strategies; Mass Culture/Media Interventions; Body; and Technology. Each section opens with an introduction by the editor.
The Feminism and Visual Culture Reader provides a framework within which to understand the shifts in feminist thinking in visual studies as well as an overview of major feminist theories of the visual.
Amelia Jones' introduction to the reader races historical and theoretical developments in feminism and visual culture. Articles are grouped into thematic sections, addressing Representation; Difference; Disciplines/Strategies; Mass Culture/Media Interventions; Body; and Technology. Each section opens with an introduction by the editor.
The Feminism and Visual Culture Reader provides a framework within which to understand the shifts in feminist thinking in visual studies as well as an overview of major feminist theories of the visual.
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